Perhaps Jane Stewart is too common a name for a Canadian musician trying to make it in the realm of art-pop? For whatever reason, this particular Jane took her maternal aunt's married name and began crushing it as Jane Siberry.
in 2005 the Canadian Council for the Arts bestowed the Victor Martyn Lynch-Staunton Award upon her for "outstanding artistry in her mid-career." She responded by questioning if her career should continue: she changed her identity, both on stage and off, to Issa, a feminized version of Isaiah, and then immediately wrote thirty-three songs in thirty-three days with a process she described as slowed-down: choosing a note and then waiting patiently to discover the next one.
In 2010 she became Siberry again.
Spotify has somewhere over half of her material available, up to 2017, under both (separate) identities. Her first two albums are missing, the second of which contained the song Mimi on the Beach, the first of her songs I ever heard, still my favourite, and number three on my Spotifried playlist:
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